This sculpture explores the emotional strain of people-pleasing, capturing the desire for acceptance at the expense of one's own needs. The artist magnifies this behavior, sculpturally representing the monumental emotions tied to seeking approval and avoiding conflict. The chaotic forms evoke the distortion of self-expression when we prioritize others' comfort. Central to this work is the phrase, "nobody likes me, everybody hates me, why don't I eat some worms," highlighting the internalized frustration and loneliness that often accompanies this mindset.
By reflecting on societal conditioning and its impact on communication, the artist forces viewers to confront the unhealthy dynamics of people-pleasing. The entanglement of self-worth with the need for external validation is depicted through large-scale, grasping forms that evoke both suffocation and suppression. Ultimately, the sculptures challenge viewers to rethink the personal costs of this behavior and consider pathways to more authentic, balanced relationships.